Now showing items 229-248 of 251

  • Câmara, Guilherme Schmidt; Nymoen, Kristian; Lartillot, Olivier; Danielsen, Anne (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2020)
    THIS STUDY REPORTS ON AN EXPERIMENT THAT tested whether drummers systematically manipulated not only onset but also duration and/or intensity of strokes in order to achieve different timing styles. Twenty-two professional ...
  • Jensenius, Alexander Refsum (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2014)
    The term ‘gesture’ has represented a buzzword in the NIME community since the beginning of its conference series. But how often is it actually used, what is it used to describe, and how does its usage here differ from its ...
  • Nielsen, Nanette; Morgenstern, Martin; Steichen, James (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2008)
    This is a piece originally written by Paul Bekker (1882-1937). It has been translated by Martin Morgenstern and Nanette Nielsen with James Steichen. This piece was originally published in German in Letters to Contemporary ...
  • Nymoen, Kristian; Jensenius, Alexander Refsum (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2011)
    Simultaneous handling and synchronisation of data related to music, such as score annotations, MIDI, video, motion descriptors, sensor data, etc. requires special tools due to the diversity of this data. We present a toolbox ...
  • Godøy, Rolf Inge (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 1984)
  • Kvifte, Tellef; Jensenius, Alexander Refsum (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2006)
    This paper discusses the need for a framework for describing musical instruments and their design, and discusses some possible elements in such a framework. The framework is meant as an aid in the development of a coherent ...
  • Jensenius, Alexander Refsum; Godøy, Rolf Inge; Kvifte, Tellef (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2006)
    This paper presents our need for a Gesture Description Interchange Format (GDIF) for storing, retrieving and sharing information about music-related gestures. Ideally, it should be possible to store all sorts of data from ...
  • Fasciani, Stefano; Vohra, Manohar (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2019)
    In this paper we introduce a hardware platform to proto- type interfaces of demanding sonic interactive systems. We target applications featuring a large array of analog sensors requiring data acquisition and transmission ...
  • Eerola, Tuomas; Vuoskoski, Jonna Katariina; Peltola, Henna-Riikka; Putkinen, Vesa; Schäfer, Katharina (Journal article / Tidsskriftartikkel / SubmittedVersion, 2018)
    Our integrative framework for explaining the enjoyment of sadness associated with music sparked a delightful number (13) of commentaries which challenge, stimulate, strengthen and shape the ideas we initially put forward. ...
  • Erdem, Cagri; Lan, Qichao; Fuhrer, Julian; Martin, Charles Patrick; Tørresen, Jim; Jensenius, Alexander Refsum (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2020)
    In acoustic instruments, sound production relies on the interaction between physical objects. Digital musical instruments, on the other hand, are based on arbitrarily designed action--sound mappings. This paper describes ...
  • Jensenius, Alexander Refsum; Lyons, Michael J. (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2016)
    This paper provides an overview of the process of editing the forthcoming anthology “A NIME Reader—Fifteen years of New Interfaces for Musical Expression.” The selection process is presented, and we reflect on some of the ...
  • Gadir, Tami (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2018)
    Agency is a concept employed widely and in varied ways across interdisciplinary music studies, from the philosophical to the experimental scientific. This article explores some of the theories and methodologies that inform ...
  • Godøy, Rolf Inge (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2013)
    The term coarticulation designates the fusion of small-scale events, such as single sounds and single sound-producing actions, into larger units of combined sound and body motion, resulting in qualitative new features at ...
  • Skogstad, Ståle Andreas van Dorp; Jensenius, Alexander Refsum; Nymoen, Kristian (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2010)
    The paper presents a conceptual overview of how optical infrared marker based motion capture systems (IrMoCap) can be used in musical interaction. First we present a review of related work of using IrMoCap for musical ...
  • Jensenius, Alexander Refsum (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2006)
    Navigating hours of video material is often time-consuming, and traditional keyframe displays are not particularly useful when studying single-shot studio recordings of music-related movement. This paper presents the idea ...
  • Nymoen, Kristian; Danielsen, Anne; London, Justin (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2017)
    The attack phase of sound events plays an important role in how sounds and music are perceived. Several approaches have been suggested for locating salient time points and critical time spans within the attack portion of ...
  • Jensenius, Alexander Refsum; Johnson, Victoria (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2010)
    We report on the development of a video based analysis system that controls concatenative sound synthesis and sound spatialisation in realtime in concert performances. The system has been used in several pieces, most ...
  • Barrett, Natasha; Jensenius, Alexander Refsum (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2016)
    Despite increasingly accessible and user-friendly multi-channel compositional tools, many composers still choose stereo formats for their work, where the compositional process is allied to diffusion performance over a ...
  • Erdem, Cagri; Schia, Katja Henriksen; Jensenius, Alexander Refsum (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2019)
    What if a musician could step outside the familiar instrumental paradigm and adopt a new embodied language for moving through sound with a dancer in true partnership? And what if a dancer’s body could coalesce with a ...