Now showing items 21-40 of 167

  • Martin, Charles Patrick; Ellefsen, Kai Olav; Tørresen, Jim (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2017)
    For many, the pursuit and enjoyment of musical performance goes hand-in-hand with collaborative creativity, whether in a choir, jazz combo, orchestra, or rock band. However, few musical interfaces use the affordances of ...
  • Skogstad, Ståle Andreas van Dorp; Nymoen, Kristian; de Quay, Yago; Jensenius, Alexander Refsum (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2012)
    In this paper we present the Dance Jockey System, a system developed for using a full body inertial motion capture suit (Xsens MVN) in music/dance performances. We present different strategies for extracting relevant ...
  • Jensenius, Alexander Refsum; Godøy, Rolf Inge; Wanderley, Marcelo M. (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2005)
    We present the Musical Gestures Toolbox, a collection of Max/MSP/Jitter modules to help in qualitative and quantitative analysis of musical gestures. Examples are shown of how the toolbox is used for studying musical ...
  • Tørresen, Jim; Hauback, Øyvind N.; Overholt, Dan; Jensenius, Alexander Refsum (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2012)
    We present a new wireless transceiver board for the CUI32 sensor interface, aimed at creating a solution that is flexible, reliable, and with little power consumption. Communication with the board is based on the ZigFlea ...
  • Nymoen, Kristian; Jensenius, Alexander Refsum (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2009)
    The paper presents Nymophone2, an acoustic instrument with a complex relationship between performance actions and emergent sound. A method for describing the multidimensional control actions needed to play the instrument ...
  • Hansen, Søren Holme; Jensenius, Alexander Refsum (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2006)
    This paper describes the concept and realization of The Drum Pants, a pair of pants with sensors and control switches, allowing the performer to play and record a virtual drum set or percussion rack by hitting the thighs ...
  • Schoonderwaldt, Erwin; Jensenius, Alexander Refsum (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2011)
    We report on a performance study of a French-Canadian fiddler. The fiddling tradition forms an interesting contrast to classical violin performance in several ways. Distinguishing features include special elements in the ...
  • Danielsen, Anne; Waadeland, Carl Haakon; Sundt, Henrik G.; Witek, Maria (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2015)
    This paper reports on an experiment investigating the expressive means with which performers of groove-based musics signal the intended timing of a rhythmic event. Ten expert drummers were instructed to perform a rock ...
  • Chandra, Arjun; Nymoen, Kristian; Voldsund, Arve; Jensenius, Alexander Refsum; Glette, Kyrre Harald; Tørresen, Jim (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2012)
    The paper presents the interactive music system SoloJam, which allows a group of participants with little or no musical training to effectively play together in a ``band-like'' setting. It allows the participants to take ...
  • Watne, Åshild; Nymoen, Kristian (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2018)
    Entrepreneurship in Higher Music Education in Norway. Recently, in Norway, entrepreneurship in higher education has received increased attention. Research projects in Norwegian universities and university colleges initiated ...
  • Nielsen, Nanette (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2013)
    Ernst Krenek’s opera Jonny spielt auf (1927) was, according to the composer, concerned with ‘the problem of freedom’. But in what ways did it grapple with this problem? This article offers a new interpretation of Krenek’s ...
  • Kelkar, Tejaswinee; Roy, Udit; Jensenius, Alexander Refsum (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2018)
    Melodic contour, the ‘shape’ of a melody, is a common way to visualize and remember a musical piece. The purpose of this paper is to explore the building blocks of a future ‘gesture-based’ melody retrieval system. We present ...
  • Jensenius, Alexander Refsum (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2012)
    Motiongrams are visual representations of human motion, generated from regular video recordings. This paper evaluates how different video features may influence the generated motiongram: inversion, colour, filtering, ...
  • Haugen, Mari Romarheim; Nymoen, Kristian (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2015)
    Recording music-related motions in ecological valid situa- tions can be challenging. We investigate the performance of three devices providing 3D acceleration data, namely Axivity AX3, iPhone 4s and a Wii controller tracking ...
  • Haugen, Mari Romarheim; Nymoen, Kristian (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2016)
    Recording music-related motions in ecologically valid situations can be challenging. We investigate the performance of three devices providing 3D acceleration data, namely Axivity AX3, iPhone 4s and a Wii controller tracking ...
  • Jensenius, Alexander Refsum; Innervik, Kjell Tore; Frounberg, Ivar (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2010)
    We report on a study of perceptual and acoustic features related to the placement of microphones around a custom made glass instrument. Different microphone setups were tested: above, inside and outside the instrument and ...
  • Kelkar, Tejaswinee; Jensenius, Alexander Refsum (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2017)
    Pitch and spatial height are often associated when describing music. In this paper we present results from a sound tracing study in which we investigate such sound–motion relationships. The subjects were asked to move as ...
  • Jensenius, Alexander Refsum; Bjerkestrand, Kari Anne Vadstensvik (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2011)
    We present the results of a pilot study on how micromovements may be used in an interactive dance/music performance. Micromovements are subtle body movements that cannot be easily seen by the human eye. Using an infrared ...
  • Godøy, Rolf Inge; Haga, Egil; Jensenius, Alexander Refsum (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2006)
    This is an exploration of listeners association of gestures with musical sounds. The subjects listen to sounds that have been chosen for various salient features, and the tracing movements made by the subjects are recorded ...
  • Jensenius, Alexander Refsum (Chapter / Bokkapittel / SubmittedVersion, 2017)
    As living human beings we are constantly in motion. Even when we try to stand absolutely still, our breathing, pulse and postural adjustments lead to motion at the micro-level. Such micromotion is small, but it is still ...