Now showing items 168-187 of 251

  • Godøy, Rolf Inge; Haga, Egil; Jensenius, Alexander Refsum (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2006)
    Both musicians and non-musicians can often be seen making sound-producing gestures in the air without touching any real instruments. Such air playing can be regarded as an expression of how people perceive and imagine ...
  • Guldbrandsen, Erling E. (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2015)
    I have never been quite convinced by the way the story of ‘high modernism’ has generally been told. More often than not, it has been a saga of radical ruptures and new starts—a ‘progress narrative’ involving limitless ...
  • Solberg, Ragnhild Torvanger; Jensenius, Alexander Refsum (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2017)
    How do dancers engage with electronic dance music (EDM) when dancing? This paper reports on an empirical study of dancers' pleasurable engagement with three structural properties of EDM: (1) breakdown, (2) build-up, and ...
  • Godøy, Rolf Inge (Chapter / Bokkapittel / SubmittedVersion, 2017)
    Abstract: Sound-producing body motion and associated body postures shape musical sound in interaction with musical instruments or the vocal apparatus, making images of such body motion and postures integral to our experiences ...
  • Llorens, Anais; Funderud, Ingrid; Blenkmann, Alejandro Omar; Lubell, James; Foldal, Maja Dyhre; Leske, Sabine Liliana; Huster, Rene; Meling, Torstein Ragnar; Knight, Robert T; Solbakk, Anne-Kristin; Endestad, Tor (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2020)
    Orbitofrontal cortex (OFC) is implicated in multiple cognitive processes, including inhibitory control, context memory, recency judgment, and choice behavior. Despite an emerging understanding of the role of OFC in memory ...
  • Jensenius, Alexander Refsum; Skogstad, Ståle Andreas van Dorp; Nymoen, Kristian (Book / Bok / PublishedVersion; Peer reviewed, 2011)
    Editors: Alexander Refsum Jensenius, Anders Tveit, Rolf Inge Godøy, Dan Overholt Table of Contents -Tellef Kvifte: Keynote Lecture 1: Musical Instrument User Interfaces: the Digital Background of the Analog Revolution ...
  • Danielsen, Anne (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2018)
    In this chapter, the author begins with a discussion of different notions of metre, and clarifies how she use the term, and offers a brief presentation of the theory of entrainment and dynamic attending, before turning to ...
  • Lan, Qichao; Jensenius, Alexander Refsum (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2019)
    QuaverSeries consists of a domain-specific language and a single-page web application for collaborative live coding in music performances. Its domain-specific language borrows principles from both programming and digital ...
  • Lan, Qichao; Tørresen, Jim; Jensenius, Alexander Refsum (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2019)
    RaveForce is a programming framework designed for a computational music generation method that involves audio sample level evaluation in symbolic music representation generation. It comprises a Python module and a SuperCollider ...
  • Erdem, Cagri; Jensenius, Alexander Refsum (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2020)
    This paper describes the ongoing process of developing RAW, a collaborative body–machine instrument that relies on `sculpting' the sonification of raw EMG signals. The instrument is built around two Myo armbands located ...
  • Lartillot, Olivier; Cancino-Chacón, Carlos; Brazier, Charles (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2020)
    We present a new system for real-time visualisation of music performance, focused for the moment on a fugue played by a string quartet. The basic principle is to offer a visual guide to better understand music using ...
  • Kjus, Yngvar (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2016)
    Despite the rise of global online music services like iTunes and Spotify, local and physical music retailers are not extinct. Although many have faced redundancy, others are turning their local presence and technological ...
  • Bishop, Laura; Jensenius, Alexander Refsum (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2020)
    This paper describes a comparative analysis of tracking quality in two infrared marker-based motion capture systems: one older but high-end (Qualisys, purchased in 2009) and the other newer and mid-range (OptiTrack, purchased ...
  • Brøvig-Hanssen, Ragnhild; Jones, Ellis Nathaniel (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2020)
    Mange av dagens internettplattformer bruker automatiske og algoritmiske verktøy for å gjenkjenne og moderere uønsket innhold, inkludert det som blir ansett for å krenke opphavsretten. Denne artikkelen undersøker hvordan ...
  • Kelkar, Tejaswinee; Jensenius, Alexander Refsum (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2017)
    This paper describes an experiment in which the subjects performed a sound-tracing task to vocal melodies. They could move freely in the air with two hands, and their motion was captured using an infrared, marker-based ...
  • Gadir, Tami (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2016)
    Many practices of contemporary DJ-driven electronic dance music derive from 1970s club scenes in the United States, which were welcoming spaces for people who otherwise encountered prejudice for their gender identities and ...
  • Edwards, Peter (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2015)
    The Passacaglia finale from György Ligeti's Le Grand Macabre (1974–7, rev. 1996) has been described as a point of stylistic crisis, marking Ligeti's return to more traditional compositional means. Consonances and tonal ...
  • Dahl, Sofia; Sioros, George (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2018)
    Head movements of groups of participants moving to music allowing for both duple and triple subdivisions were analysed using Recurrence Quantification Analysis. As expected the maximum recurrence rate varied between ...
  • Haugen, Mari Romarheim; Godøy, Rolf Inge (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2014)
  • Danielsen, Anne; Hawkins, Edgar Stanley (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2020)
    In this music-analytic interpretation of two love songs from Prince’s Around the World in a Day album, we investigate the properties of groove, arrangement, and vocality, all of which contribute to the artist’s inimitable ...