Now showing items 147-166 of 185

  • Jensenius, Alexander Refsum (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2008)
    Mobile music technology opens many new opportunities in terms of location-aware systems, social interaction etc., but we should not forget that many challenges faced in immobile music technology research are also apparent ...
  • Jensenius, Alexander Refsum (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2013)
    This paper presents an overview of techniques for creating visual displays of human body movement based on video recordings. First a review of early movement and video visualization techniques is given. Then follows an ...
  • Bradley, Catherine Anne (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2017)
  • Jensenius, Alexander Refsum (Chapter / Bokkapittel / SubmittedVersion, 2017)
    This chapter looks at the ways in which micromotion, the smallest controllable and perceivable human body motion, can be used in interactive sound systems. It presents a general taxonomy, followed by examples of how sonic ...
  • Jensenius, Alexander Refsum; Godøy, Rolf Inge (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2013)
    The paper presents sonomotiongram, a technique for the creation of auditory displays of human body motion based on motiongrams. A motiongram is a visual display of motion, based on frame differencing and reduction of a ...
  • Holbrook, Ulf A. S. (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2019)
    One of Pierre Schaeffer’s achievements in his musical research was his proposal of the sound object as a basic unit of musical experience and his insistence on listening as a main focus of research. Out of this research ...
  • Nymoen, Kristian; Skogstad, Ståle Andreas van Dorp; Jensenius, Alexander Refsum (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2011)
    The paper presents the SoundSaber - a musical instrument based on motion capture technology. We present technical details of the instrument and discuss the design development process. The SoundSaber may be used as an example ...
  • Unknown author (Research report / Forskningsrapport / PublishedVersion, 2018)
    The SoundTracer project is a collaborative effort between the Norwegian National Library and the Department of Musicology at the University of Oslo. The goal of the project is to use the audio recordings collected by the ...
  • Sandve, Birgitte (Doctoral thesis / Doktoravhandling, 2014)
    This project deals with how notions of urban space in rap music might attach to certain meanings or identification through cultural practices. Through my case studies I present analyses and readings of the Norwegian rap ...
  • Nymoen, Kristian; Tørresen, Jim; Godøy, Rolf Inge; Jensenius, Alexander Refsum (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2012)
    This paper presents an experiment on sound tracing, meaning an experiment on how people relate motion to sound. 38 participants were presented with 18 short sounds, and instructed to move their hands in the air while acting ...
  • Jensenius, Alexander Refsum (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2012)
    The chapter starts by discussing the importance of body movement in both music performance and perception, and argues that for future research in the field it is important to develop solutions for being able to stream and ...
  • Danielsen, Anne (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2017)
    I afroamerikanske rytmiske musikktradisjoner er utformingen av rytmikken på mikronivå, for eksempel timing, frasering og valg av lyd, avgjørende for kvaliteten på musikken. Det er ikke nok å spille det riktige mønsteret, ...
  • Jensenius, Alexander Refsum; Nymoen, Kristian; Skogstad, Ståle Andreas van Dorp; Voldsund, Arve (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2012)
    With musical applications in mind, this paper reports on the level of noise observed in two commercial infrared marker-based motion capture systems: one high-end (Qualisys) and one affordable (OptiTrack). We have tested ...
  • Haugen, Mari Romarheim (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2014)
    Norwegian telespringar is often referred to as being in so-called asymmetrical triple meter—that is, the three beats in the measure are of uneven duration. Previous studies report that a systematic long–medium–short beat ...
  • Jensenius, Alexander Refsum; Castagné, Nicolas; Camurri, Antonio; Maestre, Esteban; Malloch, Joseph; McGilvray, Douglas (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2007)
    This paper summarises a panel discussion at the 2007 International Computer Music Conference on movement and gesture data formats, presents some of the formats currently in development in the computer music community, and ...
  • Jensenius, Alexander Refsum (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2018)
    The Musical Gestures Toolbox for Matlab (MGT) aims at assisting music researchers with importing, preprocessing, analyzing, and visualizing video, audio, and motion capture data in a coherent manner within Matlab.
  • Jensenius, Alexander Refsum; Zelechowska, Agata; Gonzalez Sanchez, Victor Evaristo (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2017)
    The paper presents results from an experiment in which 91 subjects stood still on the floor for 6 minutes, with the first 3 minutes in silence, followed by 3 minutes with mu- sic. The head motion of the subjects was captured ...
  • Zeiner-Henriksen, Hans T. (Doctoral thesis / Doktoravhandling, 2010)
    The “PoumTchak” pattern is a rhythmic pattern consisting of a continuous alternation between bass drum and hi-hat sounds. It forms the basic rhythmic structure in myriads of dance music tracks. This suggests a connection ...
  • Hundsnes, Svein (Doctoral dissertation / Doktoravhandling, 2014)
    This thesis aims to demonstrate that Tchaikovsky’s symphonic style is explicitly contrapuntal. Not only has this aspect of the composer been significantly undervalued in western musicology until today, it would be about ...
  • Danielsen, Anne (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2018)
    This chapter addresses the relationship between repetition and variation in repetitive music. Building on philosopher Gilles Deleuze’s discussion of repetition (Difference and Repetition, 1994), and more particularly on ...