Now showing items 56-75 of 177

  • Godøy, Rolf Inge (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2006)
    One of the most remarkable achievements of Pierre Schaeffer's musical thought is his proposal of the sonorous object as the focus of research. The sonorous object is a fragment of sound, typically in the range of a few ...
  • Frounberg, Ivar; Innervik, Kjell Tore; Jensenius, Alexander Refsum (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2010)
    The paper reports on the development of prototypes of glass instruments. The focus has been on developing acoustic instruments specifically designed for electronic treatment, and where timbral qualities have had priority ...
  • Groove 
    Câmara, Guilherme Schmidt; Danielsen, Anne (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2018)
    This chapter provides an overview of the concept of groove, investigating musical and sonic components of grooves as well as aspects related to pleasure, process, and affect. It starts out by addressing three distinct ...
  • Solberg, Ragnhild Torvanger; Jensenius, Alexander Refsum (Journal article / Tidsskriftartikkel / SubmittedVersion, 2017)
    The present study investigates how people move and relate to each other – and to the dance music – in a club-like setting created within a motion capture laboratory. Three groups of participants (29 in total) each danced ...
  • Danielsen, Anne (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2017)
    Artikkelen problematiserer den rollen svart rytmisk musikk har spilt innenfor populærmusikkfeltet i etterkrigstiden. Den begynner med en gjennomgang av den historiske bakgrunnen for forestillingen om svart rytme som ...
  • Song, Min-Ho; Godøy, Rolf Inge (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2016)
    This paper addresses how to determine a sufficient frame (sampling) rate for an optical motion tracking system using passive reflective markers. When using passive markers for the optical motion tracking, avoiding identity ...
  • Jensenius, Alexander Refsum (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2014)
    We present the results of a series of observation studies of ourselves standing still on the floor for 10 minutes at a time. The aim has been to understand more about our own standstill, and to develop a heightened sensitivity ...
  • Gadir, Tami (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2017)
    In this chapter, I explore the assignment of particular gender stereotypes to sound and performance in contemporary electronically produced dance music, focusing on the sonic quality of ‘fluffiness’ (cf. Gavanas and Reitsamer ...
  • Godøy, Rolf Inge (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2010)
    Based on innumerable informal accounts and a number of scientific studies, there can be no doubt that people often have quite vivid images of musical sound in their minds, and that this is the case regardless of levels of ...
  • Devine, Kyle Ross (Journal article / Tidsskriftartikkel / SubmittedVersion, 2013)
    The purpose of this paper is to provide some historical perspective on the so-called loudness war. Critics of the loudness war maintain that the average volume level of popular music recordings has increased dramatically ...
  • Eerola, Tuomas; Vuoskoski, Jonna Katariina; Peltola, Henna-Riikka; Putkinen, Vesa; Schäfer, Katharina (Journal article / Tidsskriftartikkel / SubmittedVersion, 2017)
    The recent surge of interest towards the paradoxical pleasure produced by sad music has generated a handful of theories and an array of empirical explorations on the topic. However, none of these have attempted to weigh ...
  • Alarcón Diaz, Ximena; Gonzalez Sanchez, Victor Evaristo; Erdem, Cagri (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2019)
    INTIMAL is a physical virtual embodied system for relational listening that integrates body movement, oral archives, and voice expression through telematic improvisatory performance in migratory contexts. It has been ...
  • Born, Georgina; Devine, Kyle (Journal article / Tidsskriftartikkel / SubmittedVersion, 2016)
    This special issue examines the politics of gender in relation to higher education, creative practices and historical processes in electronic music, computer music and sound art. The starting point is a summary of research ...
  • Haugen, Mari Romarheim (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2017)
    The perception of musical meter is fundamental for rhythm production and perception in much music. Underlying structures such as pulse, meter, and metrical subdivisions are often described as successive points in time. ...
  • Haugen, Mari Romarheim (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2016)
    The pulse level in music is often described as a series of isochronous beats that provides an underlying reference structure against which we perceive rhythmic patterns. This notion is challenged by music styles that seem ...
  • Dybsand, Øyvin (Doctoral thesis / Doktoravhandling, 2016)
    Bind 1-2 er en undersøkelse av Johan Halvorsens kunstneriske virke og en stilistisk gjennomgang av hans komposisjoner, mens bind 3 inneholder en tematisk verkoversikt, en kronologisk fortegnelse over Halvorsens konsertvirksomhet ...
  • Brøvig-Hanssen, Ragnhild (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2016)
    The chapter is taken from the book: The Oxford Handbook of Music and Virtuality edited by Sheila Whiteley and Shara Rambarran, 2016, reproduced by permission of Oxford University Press https://doi.org/10.1093/oxfordhb/97 ...
  • Mattes, Arnulf Christian (Journal article / Tidsskriftartikkel / PublishedVersion; Peer reviewed, 2013)
    Schoenberg’s concept of the work as the presentation (Darstellung) of the ‘musical idea’ (Gedanke) entails that the work is considered a vehicle by means of which the composer shares musical ideas with the performer and ...
  • Jensenius, Alexander Refsum (Chapter / Bokkapittel / PublishedVersion; Peer reviewed, 2013)
    The paper presents the Kinectofon, an instrument for creating sounds through free-hand interaction in a 3D space. The instrument is based on the RGB and depth image streams retrieved from a Microsoft Kinect sensor device. ...
  • Brøvig-Hanssen, Ragnhild (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2018)
    This is an Accepted Manuscript of a book chapter published by Bloomsbury Academic in Critical Approaches to the Production of Music and Sound on 11-01-2018 , available online: https://www.bloomsbury.com/9781501332050