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Mediated Immediacy: The Relationship between Auditory and Visual Dimensions of Live Performance in Contemporary Technology-Based Popular Music 
Danielsen, Anne; Helseth, Inger (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2016)
Today, a live concert no longer necessarily presents a temporal or physical correspondence between the sound and its production, though it continues to promise an experience characterized by immediacy. In this article, we ...
Moving to the Beat: Studying Entrainment to Micro-Rhythmic Changes in Pulse by Motion Capture 
Danielsen, Anne; Haugen, Mari Romarheim; Jensenius, Alexander Refsum (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2015)
Pulse is a fundamental reference for the production and perception of rhythm. In this paper, we study entrainment to changes in the micro-rhythmic design of the basic pulse of the groove in ‘Left & Right’ by D’Angelo. In ...
Glitched and Warped: Transformations of Rhythm in the Age of the Digital Audio Workstation 
Danielsen, Anne (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2019)
The Mediated Festival: Live Music as Trigger of Music Streaming and Social Media Engagement 
Danielsen, Anne; Kjus, Yngvar (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2017)
Live music events are increasingly saturated with and mediated via the online and mobile devices of the audience. This article explores patterns in this media use surrounding the Øya festival in Norway and focuses, in ...
The Naturalised and the Surreal: changes in the perception of popular music sound 
Brøvig-Hanssen, Ragnhild; Danielsen, Anne (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2013)
In a musical context, the word ‘sound’ implies a set of sonic characteristics. Within popular music, this notion of sound sometimes supplies the very identity of a tune, a band or a musician. Sound is often conceptualised ...
Live Islands in the Seas of Recordings: The Music Experience of Visitors at the Øya Festival 
Kjus, Yngvar; Danielsen, Anne (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2014)
Live music remains popular in the digital age, as reflected in the growth in music festivals in the 2000s. The increased availability of music online highlights the issue of what sets live music apart but also raises the ...
"Hot rhythms": Rytmisk musikk som den vestlige rasjonalitetens andre 
Danielsen, Anne (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2017)
Artikkelen problematiserer den rollen svart rytmisk musikk har spilt innenfor populærmusikkfeltet i etterkrigstiden. Den begynner med en gjennomgang av den historiske bakgrunnen for forestillingen om svart rytme som ...
Effects of instructed timing and tempo on snare drum sound in drum kit performance 
Danielsen, Anne; Waadeland, Carl Haakon; Sundt, Henrik G.; Witek, Maria (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2015)
This paper reports on an experiment investigating the expressive means with which performers of groove-based musics signal the intended timing of a rhythmic event. Ten expert drummers were instructed to perform a rock ...
Validating Attack Phase Descriptors Obtained by the Timbre Toolbox and MIRtoolbox 
Nymoen, Kristian; Danielsen, Anne; London, Justin (Chapter / Bokkapittel / AcceptedVersion; Peer reviewed, 2017)
The attack phase of sound events plays an important role in how sounds and music are perceived. Several approaches have been suggested for locating salient time points and critical time spans within the attack portion of ...
Live Mediation. Performing Concerts Using Studio Technology 
Kjus, Yngvar; Danielsen, Anne (Journal article / Tidsskriftartikkel / AcceptedVersion; Peer reviewed, 2016)
The use of computers is continuously changing the sound of records but also increasingly challenging established forms of live concert aesthetics. So what becomes of creativity and expressivity in the live performance? In ...
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